EMP Contents, Issue 36, Spring 2015
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EDITORIAL
Andrew Woolley
ARTICLES
•‘That we with merth mowe savely synge’:
the Fifteenth-Century Carol – a Music of the People?
Louise E McInnes
•Charles Avison’s Dirge for Romeo and Juliet
Simon D. I. Fleming
REPORTS
Representations of Early Music on Stage and Screen
James Cook, Alex Kolassa and Adam Whittaker
The 13th Annual Conference on Music in Eighteenth Century Britain
Mark Windisch
REVIEWS
Colin Booth (harpsichord), ‘Grounds for pleasure’:
keyboard music from seventeenth century England
Reviewed by Bryan White
Richard Maunder, The Scoring of Early Classical Concertos 1750–1780
Reviewed by Erin Helyard
Michael Burden, Regina Mingotti: Diva and Impresario at the King’s Theatre, London
Reviewed by Peter Holman
PUBLICATIONS LIST
Compiled by James Hume
Music Supplement
Charles Avison (1709–1770), Dirge for Romeo and Juliet
score
parts
Edited by Simon D. I. Fleming
Early Music Performer
EMP Contents, Issue 37, Autumn 2015
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EDITORIAL
Andrew Woolley
ARTICLES
•Maurice Greene, Faustina Bordoni and the Note E
Michael Talbot
•Mozart’s Slurs for Wind Instruments: 1773–1781
Beth Pei-Fen Chen
REPORT
COST-WoodMusICK: Second Annual Conference
Isobel Clarke
REVIEWS
Rebecca Herissone, Musical Creativity in Restoration England
Reviewed Andrew Woolley
ed. Meredith Kirkpatrick, Ralph Kirkpatrick: Letters of the American Harpsichordist and Scholar
Reviewed John Kitchen
Barthold Kuijken, The Notation Is Not the Music
Reviewed by Uri Golomb
PUBLICATIONS LIST
Compiled by James Hume
Early Music Performer
EMP Contents, Issue 38, Spring 2016
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EDITORIAL
Andrew Woolley
ARTICLE
Charles Babel’s manuscripts for the recorder: Light on repertoire and the art of preluding (c.1700)
David Lasocki
MUSIC SUPPLEMENT
10 pieces for recorder and an aria by Stephani.
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REPORTS
The 31st annual conference on Music in Eighteenth-century Britain
Mark Windisch
Sacred music in Évora from the eighteenth century: cataloguing and digitisation
Luís Henriques
REVIEWS
Le strange viols: William Cranford consort music
and
acronym, oddities & trifles: the very peculiar instrumental music of Giovanni Valentini
Reviewed by Jason Rosenholtz-Witt
PUBLICATIONS LIST
Compiled by James Hume and Andrew Woolley
Early Music Performer Issue 39, Autumn 2016
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EDITORIAL
Andrew Woolley
ARTICLES
Dibdin on tour: performer or sightseer? part 1
Jeremy Barlow
Mozart’s pioneering attempts to prolong legato phrases and his unusual slurring patterns in instrumental music, 1781–1783
Beth Pei-Fen Chen
Social media and the early music industry
Annabelle Lee
The Mozart project live!
John Irving
"Per la ricuperata salute di Ofelia"
Simone Laghi
The historical pianist: a conference festival
Olivia Sham and Briony Cox-Williams
PUBLICATIONS LIST
Compiled by James Hume
Early Music Performer Issue 40, Spring 2017
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ARTICLES
Three solo motets by Giuseppe Torelli in the Sing-Akademie Archive
Michael Talbot
Medieval gaelic harp setup
Simon Chadwick
Dibdin on tour: performer or sightseer? part 2
Jeremy Barlow
REVIEWS
Manuscripts and Medieval Song: Inscription, Performance, Context
(Cambridge University Press, 2015), edited by Helen Deeming and Elizabeth Eva Leach
Reviewed by Elsa de Luca
Wolfgang Amadeus Mozart, Symphonie g-moll KV 550, 1. und 2. Fassung,
ed. Henrik Wiese (Breitkopf & Härtel, 2014)
Reviewed by Milada Jonášová
PUBLICATIONS LIST
Compiled by James Hume
EMP Contents, Issue 41, Autumn 2017
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EDITORIAL
Andrew Woolley
ARTICLES
Museum Pieces? Sixteenth-century sacred polyphony and the modern english tradition of a capella performance
David Allinson
The Accelerating Tactus
Richard Bethell
REVIEWS
Masses by Ludwig Daser and Matthaeus Le Maistre
Parody Masses on Josquin’s Motets from the Court of Duke Albrecht V of Bavaria,
ed. Stephanie P. Schlagel, Recent Researches in the Music of the Renaissance 164 (AR-Editions, 2016)
reviewed by Megan K. Eagen
Reflections of an American Harpsichordist:
Unpublished Memoirs, Essays, and Lectures of Ralph Kirkpatrick,
ed. Meredith Kirkpatrick (Boydell and Brewer, 2016)
reviewed by John Kitchen
Johann Baptist Vanhal: String Quartets Op. 33, No. 1-3
Edited by David C. Birchler (Greenway Music Press, 2016)
reviewed by Simone Laghi
PUBLICATIONS LIST
Compiled by James Hume
EMP Contents, Issue 42, Spring 2018
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EDITORIAL
Andrew Woolley
ARTICLES
More on the Life and Music of John Sheeles
(1695-1765). Part 1: Origins and Early Years
Michael Talbot
The Fourth Flute: A Fourth Above or a Fourth Below?
Douglas Macmillan
Moscheles, Handel and the Performance and Reception of
Old Music in Nineteenth-Century England
REPORT
Catalogue of the Works of Giovanni Pierluigi Da
Palestrina
Peter Ackermann, Translated by Carola
Finkel
REVIEW
Karr-Yang Duo, Mendelssohn: Sonatas from
Childhood, Adolescence And Adulthood
reviewed by Clive Brown
PUBLICATIONS LIST
Compiled by James Hume
SUPPLEMENT
John Sheeles (1695-1765), Five Songs
Download the score
EMP Contents, Issue 43, Autumn 2018
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EDITORIAL
Andrew Woolley
ARTICLES
More on the Life and Music of John Sheeles (1695-1765). Part 2: Later Years and Legacy
Michael Talbot
James Nares' Concerto Grosso and the Durham Partbooks
Simon D. I. Fleming
Tempi in Historically Informed Performances of Quantz’s Fast Movements
Richard Bethell
Perspectives on Historically Informed Practices in Music (Conference)
Marten Noorduin
REVIEW
Christopher Page, The Guitar in Tudor England; The Guitar in Stuart England
reviewed by Martyn Hodgson
PUBLICATIONS LIST
Compiled by James Hume
SUPPLEMENTS (ONLINE)
John Sheeles: Four Devotional Songs from The Sky Lark (1741)
Edited by Michael Talbot. Download
score
James Nares: Concerto Grosso in F
Edited by Simon D. I. Fleming. Download
score
parts
EMP Contents, Issue 44, Spring 2019
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EDITORIAL
Andrew Woolley
ARTICLES
Antonio Lolli (1725–1802) and his Ecole du Violon en Quatuor,Op. 11
Simone Laghi
The Genesis of Louis-Nicolas Clérambault’s Premier Livre de Pièces de Claveçin
Jon Baxendale
REVIEWS
François Couperin, Pièces d’Orgue, Edition by Jon Baxendale
reviewed by John Kitchen
SandraMangsen, Songs Without Words: Keyboard Arrangements of Vocal
Music in England,1560–1760
reviewed by Andrew Woolley
PUBLICATIONS LIST
Compiled by James Hume
SUPPLEMENT (ONLINE)
Antonio Lolli (1725–1802)Ecole du Violon en Quatuor,Op. 11
Edited by Simone Laghi
Download the score
EMP Contents, Issue 45, Autumn 2019
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EDITORIAL
Andrew Woolley
ARTICLES
Alessandro Scarlatti’s St John Passion: a Liturgical Masterpiece
Sophie Mahar and Alberto Sanna
Grigny, Bach and Walther: a Reappraisal of the Sources
Jon Baxendale
REPORT
Early Recordings: Past Performing Practices in Contemporary Research
by Christopher Holman and Ana Llorens
REVIEWS
Samuel Michael, Psalmodia Regia (Leipzig, 1632), Ed. Derek
Stauff
reviewed by Thomas Marks
Martin Peerson, Complete Works V: Sacred Songs, ed. Richard Rastall
reviewed by John Bryan
David Irving (violin) with Hannah Lane, Tommie Andersson, John O’Donnell and Laura Vaughan, The Emperor’s Fiddler
reviewed by Piotr Wilk
PUBLICATIONS LIST
Compiled by James Hume
EMP Contents, Issue 46, Spring 2020
EDITORIAL
Andrew Woolley
ARTICLES
Personal Manuscripts as Sources for Ornamentation:
the Embellishments of Pisendel in Schrank II, with a Special Focus on
Vivaldi
Francisco Javier Lupiáñez Ruiz
New Light on Lully’s Lessons for ye German Flute
Helen Crown
REVIEWS
Chris Price, The Canterbury Catch Club 1826:
Music in the Frame
reviewed by Peter Holman
Richard Bethell,Vocal Traditions in Conflict:
Descent From Sweet, Clear, Pure and Affecting Italian Singing to Grand Uproar
reviewed by Edward Breen
Michele Pesenti, Complete Works
ed. Anthony M. Cummings, Linda L. Carroll and Alexander Dean
reviewed by Sarah Coffman
EMP Contents, Issue 47, Autumn 2020
EDITORIAL
Andrew Woolley
ARTICLES
Accompanied Keyboard Music in Portugal: the Case of Francisco Xavier Baptista’s Sonata Prima
Mafalda Nejmeddine
Soverchi passaggi: grace and affectation in the change of the vocal ornamentation at the beginning of the seventeenth century in Italy
Viviane Alves Kubo
REVIEWS
John Jenkins, Fantasia Suites III, ed. Andrew Ashbee, Musica Britannica 104
reviewed by Hazel Brooks
Stephen Rose, Musical Authorship from Schütz to Bach (Cambridge University Press)
reviewed by Robert Rawson
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